Ren Hang / For my mother
Ren Hang’s analog photographs use a playful, humorous visual language to relate the feelings, desires, fears, and loneliness of a young generation in China. His works stand as symbols of the youth’s rebellion against the conventions of a restrictive communist regime in which nudity and sexual freedom are subject to government censure and control even up to the present day. Most of the people portrayed are the artist’s friends, but they remain unnamed and anonymous, and the images bear neither title nor place nor date. Although carefully staged, they are infused with an element of fleetingness and evanescence that is often the result of the artist’s quick way of working. Ren Hang’s photographs are a rare ode to human beings, their bodies, sexuality, beauty, and vulnerability.
Published by Stockmans Art Books.
22 x 28 cm
64 pages
Ren Hang’s analog photographs use a playful, humorous visual language to relate the feelings, desires, fears, and loneliness of a young generation in China. His works stand as symbols of the youth’s rebellion against the conventions of a restrictive communist regime in which nudity and sexual freedom are subject to government censure and control even up to the present day. Most of the people portrayed are the artist’s friends, but they remain unnamed and anonymous, and the images bear neither title nor place nor date. Although carefully staged, they are infused with an element of fleetingness and evanescence that is often the result of the artist’s quick way of working. Ren Hang’s photographs are a rare ode to human beings, their bodies, sexuality, beauty, and vulnerability.
Published by Stockmans Art Books.
22 x 28 cm
64 pages
Ren Hang’s analog photographs use a playful, humorous visual language to relate the feelings, desires, fears, and loneliness of a young generation in China. His works stand as symbols of the youth’s rebellion against the conventions of a restrictive communist regime in which nudity and sexual freedom are subject to government censure and control even up to the present day. Most of the people portrayed are the artist’s friends, but they remain unnamed and anonymous, and the images bear neither title nor place nor date. Although carefully staged, they are infused with an element of fleetingness and evanescence that is often the result of the artist’s quick way of working. Ren Hang’s photographs are a rare ode to human beings, their bodies, sexuality, beauty, and vulnerability.
Published by Stockmans Art Books.
22 x 28 cm
64 pages