Téo Becher

About Téo Becher

Born in Nancy in 1991, Téo Becher is a French photographer who graduated

from the Septante-Cinq School of Visual Arts in Brussels (2014) and holds a

master's degree in photography from KASKA in Antwerp (2020). Teo Becher

interrogates the link between nature and culture throughout his photography

projects.

 

The photographic approach of Téo Becher

In his photographic work, Téo Becher is interested in the relationship between

nature and culture. He uses photography to capture the narrative potential of

territories, revealing both the enchanting atmospheres and their unwavering

link with human occupation. After the “Charbon blanc” project, through which

he focused on the presence of the aluminum industry in the Maurienne valley

in Savoie, the photographer left the field of documentary to adopt a more

formal approach to landscape.

 

The Forest of Soignes is at the center of his new series entitled Hercynienne

where he calls for a dialogue between the still wild part of the forest, knowing

that it was part of one of the primary forests of Western Europe (the forest

Hercynian), and the controlled presence of human beings in this nature on the

outskirts of Brussels. In the forest, Téo detects the elements of a formal

language which reflect this ambivalence. Using color filters and handmade

mattes, which he uses in the den of the darkroom, he redirects our gaze

towards details usually lost in the blur of the landscape. The photographer has

maintained a very artisanal relationship with photography, and now only works

on film, covering a physical relationship with a medium that is now

dematerialized. Without restraint, the artist appropriates nature through color

and form. And asks: to what extent is our perception of nature conditioned by

visual habits linked to our education and the codes of a Western culture

disconnected from it?

 

Exhibitions in Belgium and across Europe

His work was exhibited at the La Gacilly festival in 2017, at the Charleroi

Museum of Photography in 2018, at the Manifesto festival in 2019, at FoMu in

Antwerp in 2020, and screened at Riga Photo Month, Latvia, in 2020. Charbon

blanc won the Caisse d'Épargne prize at the L'image Satellite festival in Nice

in 2019, as well as the Maison Blanche prize at the PhotoMarseille 2020

festival. His images entered the collections of the Charleroi photography

museum as well as the FoMu in Antwerp.

 

Art books by Téo Becher

Téo Becher has released two art books so far. His first book, “Charbon Blanc”,

was issued in 2021 by “Le Bec en l’Air” editions. In this book he combines two

complementary image regimes. Faithful to a conception of photography

inseparable from a wandering within a defined space, he begins by physically

experiencing the Maurienne landscape: being in the mountain, walking there,

breathing there, as close as possible to the topography, to the point where this

« uninhabitable » mountain becomes a central character in his book.

In parallel, influenced by the thought of Philippe Descola, for whom nature is a

cultural construction and therefore the difference between nature and culture a

nonsense (Par-delà nature et culture, 2005), and by Donna J. Haraway’s

reflections on the Anthropocene (Staying with the Trouble, 2016, published in

French by Mondes à faire, 2020), Teo Becher sought to photograph this

moment when landscape and traces of human activity meet, in a relationship

of interdependence rather than of opposition.

His second book “Emmêlement et autres Histoires de Forêts” issued in 2023

was made in collaboration with Marion Ellena and Almudena Romero. The

series Tangle and other forest stories questions the notions of nature and

culture, questioning the limits, edges and interactions between these two

concepts built on antagonisms that can be considered relatively false or

mystifying. Accompanied by researchers from the Environmental Geography

laboratory (GEODE – CNRS/Université Toulouse Jean Jaurès) in Toulouse,

Téo Becher walked in natural spaces – mountains and forests – in search of

traces left by humans in the landscape.

Exhibitions at Hangar : Regarde mon histoire/ Kijk naar mijn verhaal (2021)

Téo Becher Biography